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  • Home
  • About my website
    • A few words about me
    • Opinions about the site
    • A few words to begin - why this particular site?
    • What is my method?
    • Example: how do my lessons take place?
    • Pros and cons of lessons online
  • Glossary
    • Introduction: explanations and clarifications
    • Abbreviations and terminology
    • Neuhaus’ bridge and crane
    • The front line and the rear guard
    • Hovering and sticking
    • Locking and attaching
    • Shaking the arm
    • Bibliography
  • Technique
    • Introduction
    • Basic elements
      • How to “arm” the thumb (and other fingers)?
      • Allies and enemies
      • How to practice - general tips
    • How to play the piano rapidly without harmfully tensing up your hand?
    • How to easily obtain “the bridge”
    • Elongated fingers, bridge and crane: pedagogical inexactitudes
    • Powerful fingers, gymnastics and risk of injury
    • The fourth finger secret - tendon that makes playing more difficult
    • The weight of the hand - can one play with a tense hand?
    • (How to play staccato?)
    • The whipping movement
    • “Shaking the arm” - muscular vibration
    • Muscular vibration in practice (Debussy - “Toccata”)
    • Practicing, stress and stage fright
  • PDF
  • Chopin
    • How to study Chopin’s works - Introduction
    • Etudes op. 10
      • n° 1 in C Major
      • n° 2 in A minor “Chromatic”
      • n° 3 in E Major
      • (n° 4 in C-sharp minor)
      • n° 5 in G-flat Major
      • (n° 6 in E-flat Minor)
      • n° 7 in C Major
      • n° 8 in F Major
      • (n° 9 in F minor)
      • n° 10 in A-flat Major
      • n° 11 in E-flat Major
      • n° 12 in C minor “Revolutionary”
    • Etudes op. 25
      • n° 1 in A-flat Major
      • n° 2 in F minor
      • n° 6 in G-sharp minor “Thirds”
      • n° 7 in C-sharp minor - trills and silence
      • n° 10 in B minor “Octaves”
      • n° 11 in A minor
      • n° 12 in C minor
    • Etudes op. posthumous
      • n° 1 in F minor
      • (n° 2* in D-flat Major)
    • Other works
      • Mazurka in B-flat Major op. 7 n° 1
      • Nocturne in E-flat major op. 9 nr° 2
      • Ballade n° 1 in G minor op. 23
      • Nocturne en D-flat Major op. 27 n° 2
      • Ballade n° 3 in A-flat Major op. 47
      • Nocturne in C minor op. 48 n° 1
      • (Fantaisie in F minor op. 49)
      • Polonaise in A-flat major op. 53
      • Sonata in B minor op. 58
      • Waltz in C-sharp minor op. 64 n° 2
  • Liszt and others
    • Quotations from Chopin and Liszt
    • (Liszt - Sonata in B minor)
    • (Liszt - Concerto n° 1)
    • (Liszt - Mazeppa)
    • (Liszt - Feux follets)
    • Liszt - Wild hunt
    • Liszt - Consolation n° 3
    • Liszt - Romance in E minor
    • ● OTHER COMPOSERS ●
  • Woytowicz
    • Boleslaw Woytowicz, my first professor
  • Practical info
    • Terms of use
    • Terms of sale (fees)
    • Registration form
    • Payments
    • Contact

Video examples

All videos    All playlists
●
Playlist “How to play the piano easier?”

Playlist “How to study Chopin’s works?”

Playlist “«Fly swatters» i.e. throwing movements”

Playlist “Mussorgsky - «Pictures at an exhibition»”

Playlist “Recorded in April 2019”

Playlist “Live recordings”
●
Playlist “Studio recordings”

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111

Countries
© 2012-2025 Aleksander Woronicki

Realizacja: WebProjekt

  • Home
  • About my website
    • A few words about me
    • Opinions about the site
    • A few words to begin - why this particular site?
    • What is my method?
    • Example: how do my lessons take place?
    • Pros and cons of lessons online
  • Glossary
    • Introduction: explanations and clarifications
    • Abbreviations and terminology
    • Neuhaus’ bridge and crane
    • The front line and the rear guard
    • Hovering and sticking
    • Locking and attaching
    • Shaking the arm
    • Bibliography
  • Technique
    • Introduction
    • Basic elements
      • How to “arm” the thumb (and other fingers)?
      • Allies and enemies
      • How to practice - general tips
    • How to play the piano rapidly without harmfully tensing up your hand?
    • How to easily obtain “the bridge”
    • Elongated fingers, bridge and crane: pedagogical inexactitudes
    • Powerful fingers, gymnastics and risk of injury
    • The fourth finger secret - tendon that makes playing more difficult
    • The weight of the hand - can one play with a tense hand?
    • (How to play staccato?)
    • The whipping movement
    • “Shaking the arm” - muscular vibration
    • Muscular vibration in practice (Debussy - “Toccata”)
    • Practicing, stress and stage fright
  • PDF
  • Chopin
    • How to study Chopin’s works - Introduction
    • Etudes op. 10
      • n° 1 in C Major
      • n° 2 in A minor “Chromatic”
      • n° 3 in E Major
      • (n° 4 in C-sharp minor)
      • n° 5 in G-flat Major
      • (n° 6 in E-flat Minor)
      • n° 7 in C Major
      • n° 8 in F Major
      • (n° 9 in F minor)
      • n° 10 in A-flat Major
      • n° 11 in E-flat Major
      • n° 12 in C minor “Revolutionary”
    • Etudes op. 25
      • n° 1 in A-flat Major
      • n° 2 in F minor
      • n° 6 in G-sharp minor “Thirds”
      • n° 7 in C-sharp minor - trills and silence
      • n° 10 in B minor “Octaves”
      • n° 11 in A minor
      • n° 12 in C minor
    • Etudes op. posthumous
      • n° 1 in F minor
      • (n° 2* in D-flat Major)
    • Other works
      • Mazurka in B-flat Major op. 7 n° 1
      • Nocturne in E-flat major op. 9 nr° 2
      • Ballade n° 1 in G minor op. 23
      • Nocturne en D-flat Major op. 27 n° 2
      • Ballade n° 3 in A-flat Major op. 47
      • Nocturne in C minor op. 48 n° 1
      • (Fantaisie in F minor op. 49)
      • Polonaise in A-flat major op. 53
      • Sonata in B minor op. 58
      • Waltz in C-sharp minor op. 64 n° 2
  • Liszt and others
    • Quotations from Chopin and Liszt
    • (Liszt - Sonata in B minor)
    • (Liszt - Concerto n° 1)
    • (Liszt - Mazeppa)
    • (Liszt - Feux follets)
    • Liszt - Wild hunt
    • Liszt - Consolation n° 3
    • Liszt - Romance in E minor
    • ● OTHER COMPOSERS ●
  • Woytowicz
    • Boleslaw Woytowicz, my first professor
  • Practical info
    • Terms of use
    • Terms of sale (fees)
    • Registration form
    • Payments
    • Contact